It’s different for blondes.

My daughter got her first doll for Christmas. Because she has yet to develop the power of speech (she might be saying “mama,” “dada,” and “cat,” but then again, she might also be saying “madamaddammacacataada”), I took it upon myself to christen the doll. I chose “Brunhilda,” on account of the doll’s pink skin, blue eyes, and braided blond hair. It was a joke, but the truth is that the doll’s appearance did set off an alarm for me. We’ve all heard a plenty of accounts of kids with dark (or even less than completely not-dark) complexions growing up with only Aryan dolls to play with, wondering why no dolls looked like them. It is only a cliche because the problem is so widespread.

The thing is, like me, my daughter is a blond, blue-eyed paleface. The resemblance she and Brunhilda share is striking, which I’m sure is precisely the reason the doll was chosen for her. But that brings with it its own host of dilemmas. I worry about what effect it might have that her personal beauty aligns so closely with mainstream societal standards. Will she receive too much attention because of her coloring? Because she looks like so many dolls, will people will treat her like one? Obviously, these are issues that I never had to deal with growing up , so I’m struggling to anticipate what she might internalize. (Not that I didn’t have my own crosses; when you look like the villain in a movie about a group of plucky losers who have to win a breakdancing contest to save their community center, society has a distinct box for you.)

Last night, my wife and I had a conversation about the possibility of getting rid of Brunhilda. Ultimately, we decided against it. Given how much the baby likes the doll (at this point, mostly because it flops around when she shakes it), it seemed like a cruel measure. The solution we decided upon is that when she is old enough to actually appreciate dolls as dolls, we’ll buy her others that offer more accurate representations of human diversity.

Or in other words, we’ll combat sexism, racism, and lookism with consumerism!

Moving day.

I didn’t spend Saturday in Downtown Oakland, and I didn’t spend it at home staring at a computer monitor crowded with livestreams and twitter feeds. I was at a family function all day, and didn’t have a chance to check in on how Occupy Oakland’s Move In had gone until pretty late at night. By then, folks on the Internet were scrambling to categorize the event as a success or a failure. Predictably, they were choosing their criteria based on how they wanted to characterize the day rather than vice-versa.

Did not occupy a building – FAILURE!

Put Occupy back in the national media – SUCCESS!

Made themselves look like violent thugs – FAILURE!

Made OPD look like violent thugs – SUCCESS!

Empowered the concern trolls – INEVITABLE!

No single litmus test can be applied to an action like this to measure its success, if in fact such a thing as quantifiable success or failure exists at all. Ultimately, I don’t personally care. I didn’t participate because it didn’t interest me, but I’m still glad it happened, just as I’m glad for OO’s questionable weekly “Fuck the Police” marches: No matter how poorly organized or reasoned, action normalizes action. The tamest protest, the most balls-out run at the barricades, the clever alteration of the billboard advertisement, and the brick through the bank window are all reminders that democracy does not begin and end at the ballot box.

Sports

The likelihood of me watching the Superbowl this year has increased by several degrees from years past entirely because Friday Night Lights is on Netflix Watch Instantly. It’s the same thing, right? I crave more lessons on what it means to be a champion.

I’ve never noticed this before.

And I’ve only seen the movie 20 goddamned times.

(Wait for it.)

Like I like my prison sentences.

Look what showed up in the mail today.

So far, I’ve only had time to skip around (as opposed to read straight through), but I will say that “Black Bush” by Gemma Files and “Incident at the Geometric Church” by David McGillveray are both thoroughly awesome stories. Plus there’s a thing I wrote in there. So you should buy a copy, if only so you can see me get zinged in the contributors list.

(It’s true; I do!)

How to end the year on a blog.

Because I know you’re wondering…

My favorite movie this year was Super.

You think you know this movie because you know Kick-Ass, Rainn Wilson, and Ellen Page, but you don’t know a damned thing. Every scene is a total surprise. It’s dark, hilarious, and strange. There’s something about seeing people get hit in the face with a plumber’s wrench that makes you shriek, not necessarily with joy, but not joylessly either.

Honorable Mention: Rubber (IMDB is telling me it came out last year, but I refuse to believe it.)

My favorite book this year was The Heroes by Joe Abercrombie.

It would be easy to see the title of this book as being ironic, just as it’s easy to describe Abercrombie’s First Law trilogy as “the anti-Lord of the Rings” (which I’ve heard several times). Neither is inaccurate, but both are reductive. The Heroes is seemingly modeled on Michael Schaara’s The Killer Angels–the narrative follows several soldiers in opposing armies over the course of a three-day battle–but it’s not so romantic by half. Abercrombie’s angels are killers, and losers, and liars, and cowards, and whiners, and weaklings. I suppose the term “antihero” applies, but that feels like far too much of a pigeonhole. They are heroic, at least in their dogged (and quite doomed) attempts to be heroes (a term that means drastically different things to everyone involved). The book is bloody, grim, and vivid. You’ll never go more than a page without hitting a delicious hard-boiled one-liner. Abercrombie’s voice and worldview are infectious. I read this one months ago, and I still find him taking over my inner monologue from time to time.

Somebody give me a goddamned barbarian name already.

Honorable mention: Occultation by Laird Barron (I know this one came out last year. I just don’t care.)

My favorite album this year was Domesplitter by Direct Hit!.

Domesplitter

The whole album is suffused with amphetaminic anxiety. It’s funny and energetic, but not without serious helpings of smash-bang-smash. The songs are diverse–there are songs for dancing and songs for raging–but the whole thing is cohesive, held together by a charmingly addled sensibility that is utterly unique (the closest comparison I can think of for these guys is Hickey, but that closeness is not close at all).

Honorable Mention: Sodom – In War & Pieces,

My favorite TV show this year was Downton Abbey.

Duh.

Honorable Mention: The Hour. I need to get less British.

For real, though.

Arcane: Just in time for National Flashlight Day

Arcane, which includes my story “It’s Not the Boys in This Family That Have to Worry,” is available for purchase. Click on the cover to fork over your hard-earned cash.

As an aside, the story does in fact include a flashlight. How’s that for synchronicity? (Am I using that word wrong?)

Get busy, West Coast

The people will have their say.

I mentioned the other day that some people were voicing their displeasure over the announced cover of the upcoming Arcane anthology (which seems kind of silly to me, but then again, I complain about meaningless crap on the Internet pretty much all day long, so I should probably withhold judgment). Editor Nathan Shumate has taken the voice of the masses to heart, and opened the cover selection up to democratic process. If you’re so inclined, check out the options and cast your vote here.

(Just to warn you, there is a correct answer.)